• BIO
  • ARTIST STATEMENT
    • Jazz Foundation of America x Mellon Foundation: Jazz Legacies Photoshoot
    • FÈT GEDE II
    • GRANBWA LANMOU
    • FANMI M, MEN YO!
    • FÈT DANBALA AK AYIDA
    • FÈT GEDE
    • FÈT ÈZILI II
    • FÈT ÈZILI
    • THE VIDEO SYMPHONY OF LANGUAGE & THE ACT OF UNBELONGING
    • AKANSYÈL LANMOU
    • Bmalké, Have You Seen Port-au-Prince?
    • Syria and Haiti Holding Hearts (Realm I)
    • Transegosynaps
    • AKANSYÈL
    • RANTRE
    • Male Wi Cheri
    • FRUSTRATION 1
    • The Last Haiti: The Moving Portraits
    • Islam in Haiti
    • Chanm Lwa An
  • COMMERCIAL WORK
  • NATIVROOTS COLLECTIVE
  • MARIE-CLAUDE
  • THE PANDEMIC ARCHIVE
  • CV
  • CONTACT
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Steven Baboun

  • BIO
  • ARTIST STATEMENT
  • PROJECTS
    • Jazz Foundation of America x Mellon Foundation: Jazz Legacies Photoshoot
    • FÈT GEDE II
    • GRANBWA LANMOU
    • FANMI M, MEN YO!
    • FÈT DANBALA AK AYIDA
    • FÈT GEDE
    • FÈT ÈZILI II
    • FÈT ÈZILI
    • THE VIDEO SYMPHONY OF LANGUAGE & THE ACT OF UNBELONGING
    • AKANSYÈL LANMOU
    • Bmalké, Have You Seen Port-au-Prince?
    • Syria and Haiti Holding Hearts (Realm I)
    • Transegosynaps
    • AKANSYÈL
    • RANTRE
    • Male Wi Cheri
    • FRUSTRATION 1
    • The Last Haiti: The Moving Portraits
    • Islam in Haiti
    • Chanm Lwa An
  • COMMERCIAL WORK
  • NATIVROOTS COLLECTIVE
  • MARIE-CLAUDE
  • THE PANDEMIC ARCHIVE
  • CV
  • CONTACT
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AKANSYÈL (2019)

AKANSYÈL, or rainbow in Haitian Creole, is a 3-channel video performance piece about a fictional marriage between queerness and Catholicism through the Haitian church framework. The artist attempts to unite two pieces of textile, tied off-screen, in their mouth. One fabric represents queerness while the other represents Catholicism. The choices of red and blue fabrics allude to the Haitian flag. In this endurance piece, the performer aims to reconcile these two conflicting cultural entities that is very much apart of their identity.