• BIO
  • ARTIST STATEMENT
    • Jazz Foundation of America x Mellon Foundation: Jazz Legacies Photoshoot
    • FÈT GEDE II
    • GRANBWA LANMOU
    • FANMI M, MEN YO!
    • FÈT DANBALA AK AYIDA
    • FÈT GEDE
    • FÈT ÈZILI II
    • FÈT ÈZILI
    • THE VIDEO SYMPHONY OF LANGUAGE & THE ACT OF UNBELONGING
    • AKANSYÈL LANMOU
    • Bmalké, Have You Seen Port-au-Prince?
    • Syria and Haiti Holding Hearts (Realm I)
    • Transegosynaps
    • AKANSYÈL
    • RANTRE
    • Male Wi Cheri
    • FRUSTRATION 1
    • The Last Haiti: The Moving Portraits
    • Islam in Haiti
    • Chanm Lwa An
  • COMMERCIAL WORK
  • NATIVROOTS COLLECTIVE
  • MARIE-CLAUDE
  • SHOP MY PRINTS
  • CV
  • CONTACT
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Steven Baboun

  • BIO
  • ARTIST STATEMENT
  • PROJECTS
    • Jazz Foundation of America x Mellon Foundation: Jazz Legacies Photoshoot
    • FÈT GEDE II
    • GRANBWA LANMOU
    • FANMI M, MEN YO!
    • FÈT DANBALA AK AYIDA
    • FÈT GEDE
    • FÈT ÈZILI II
    • FÈT ÈZILI
    • THE VIDEO SYMPHONY OF LANGUAGE & THE ACT OF UNBELONGING
    • AKANSYÈL LANMOU
    • Bmalké, Have You Seen Port-au-Prince?
    • Syria and Haiti Holding Hearts (Realm I)
    • Transegosynaps
    • AKANSYÈL
    • RANTRE
    • Male Wi Cheri
    • FRUSTRATION 1
    • The Last Haiti: The Moving Portraits
    • Islam in Haiti
    • Chanm Lwa An
  • COMMERCIAL WORK
  • NATIVROOTS COLLECTIVE
  • MARIE-CLAUDE
  • SHOP MY PRINTS
  • CV
  • CONTACT
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AKANSYÈL (2019)

AKANSYÈL, meaning "rainbow" in Haitian Creole, is a three-channel video performance that imagines a fictional union between queerness and Catholicism through the lens of Haitian church traditions. In this ritualized endurance piece, the artist attempts to bind two textiles together using their mouth, each cloth representing a distinct identity. One symbolizes queerness, the other Catholicism.

The red and blue fabrics echo the colors of the Haitian flag, situating the act within a national and spiritual context. Off-screen, the textiles are tied at their ends, suggesting an unseen but intentional connection. The gesture is at once intimate and strenuous, embodying the complex effort of holding together two cultural forces often seen as oppositional.

AKANSYÈL is not a resolution but a reckoning. It offers the body as a site of tension, convergence, and imagined reconciliation.